Audio demonstrations including reconstruction, semantic-only reconstruction, and zero-shot TTS results are provided
for various models (LM-SPT, Mimi (R), SpeechTokenizer) across multiple frame rates (25Hz, 12.5Hz, 6.25Hz).
Note that the semantic-only reconstruction results of LM-SPT were decoded exclusively using the main decoder (not auxiliary decoder).
GroundTruth | LM-SPT | Mimi (R) | SpeechTokenizer |
---|---|---|---|
GroundTruth | LM-SPT | Mimi (R) | SpeechTokenizer |
---|---|---|---|
Text | LM-SPT | Mimi (R) | SpeechTokenizer |
---|---|---|---|
they were upon the verge of an open trap in the far corner of the hut and stuteley had tripped over the edge of the reversed flap mouth of this pit | |||
were i in the warm room with all the splendor and magnificence | |||
he seemed to wait for her reply but as she made none he proceeded | |||
but now here is a subject of which you will wonder at first why turner drew it at all | |||
without his scrapbooks his chemicals and his homely untidiness he was an uncomfortable man |
GroundTruth | LM-SPT | Mimi (R) | SpeechTokenizer |
---|---|---|---|
GroundTruth | LM-SPT | Mimi (R) | SpeechTokenizer |
---|---|---|---|
Text | LM-SPT | Mimi (R) | SpeechTokenizer |
---|---|---|---|
they were upon the verge of an open trap in the far corner of the hut and stuteley had tripped over the edge of the reversed flap mouth of this pit | |||
were i in the warm room with all the splendor and magnificence | |||
he seemed to wait for her reply but as she made none he proceeded | |||
but now here is a subject of which you will wonder at first why turner drew it at all | |||
without his scrapbooks his chemicals and his homely untidiness he was an uncomfortable man |
GroundTruth | LM-SPT | Mimi (R) | SpeechTokenizer |
---|---|---|---|
GroundTruth | LM-SPT | Mimi (R) | SpeechTokenizer |
---|---|---|---|
Text | LM-SPT | Mimi (R) | SpeechTokenizer |
---|---|---|---|
they were upon the verge of an open trap in the far corner of the hut and stuteley had tripped over the edge of the reversed flap mouth of this pit | |||
were i in the warm room with all the splendor and magnificence | |||
he seemed to wait for her reply but as she made none he proceeded | |||
but now here is a subject of which you will wonder at first why turner drew it at all | |||
without his scrapbooks his chemicals and his homely untidiness he was an uncomfortable man |